THE JAPANESE HOUSE – In The End It Always Does (Sunflower Yellow Indie Exclusive LP) PRE ORDER: 30\/06\/23 The Japanese House has announced details of her second studio album In the End It Always Does. Featuring recent single \u00e2\u20ac\u02dcBoyhood\u00e2\u20ac\u2122, much of the album lives in the contradictory: beginnings and endings, obsession and mundanity, falling in love and falling apart. With the announcement comes new track \u00e2\u20ac\u02dcSad to Breathe\u00e2\u20ac\u2122, an upbeat sounding heartbreaker co-produced by TJH\u00e2\u20ac\u2122s Amber Bain with The 1975\u00e2\u20ac\u2122s George Daniel and Chloe Kraemer accompanied by a beautiful live alternate version of the track directed by Sheila Johansson which sees Amber and her extended live band strip the track back to its bare bones. \u00e2\u20ac\u0153I wrote Sad To Breathe some time ago, it\u00e2\u20ac\u2122s one of the oldest songs on the record.\u00e2\u20ac\u009d tells Amber. \u00e2\u20ac\u0153It was very different back then; it\u00e2\u20ac\u2122s gone from being solely electronic to what it is now, mostly live\/ acoustic instrumentation. It\u00e2\u20ac\u2122s about that desperate feeling when someone leaves you and the disbelief that they could. It\u00e2\u20ac\u2122s funny you could have those kind of insane dramatic thoughts, that feel so real at the time, but can by some miracle look back in fondness to your entire life being ruined. It all circles back around.\u00e2\u20ac\u009d Four years after her widely celebrated debut Good at Falling, this album sees Bain lean even further into the pop realm\u00e2\u20ac\u201cwith help from Matty Healy and George Daniel from The 1975, Katie Gavin from MUNA and Bon Iver\u00e2\u20ac\u2122s Justin Vernon among others. Bain credits Gavin especially with injecting her with creative energy and inspiration throughout. The album also sees Bain work alongside producer and engineer Chloe Kraemer (Rex Orange County, Lava La Rue, Glass Animals), an experience she describes as \u00e2\u20ac\u0153life changing\u00e2\u20ac\u009d due to the unspoken, shared understanding between marginalised genders in a creative space. \u00e2\u20ac\u0153I\u00e2\u20ac\u2122d never worked with a woman or queer person [in that way] before,\u00e2\u20ac\u009d Bain says. \u00e2\u20ac\u0153It\u00e2\u20ac\u2122s nice to have someone who completely understands your standpoint and shared experience. Also, I say \u00e2\u20ac\u02dcshe\u00e2\u20ac\u2122 in every song… so it\u00e2\u20ac\u2122s important that someone understands that.\u00e2\u20ac\u009d Tracklisting: SIDE A 1. Spot Dog 2. Touching Yourself 3. Sad to Breathe 4. Over There 5. Morning Pages 6. Boyhood SIDE B 1. Indexical reminder of a morning well spent 2. Friends 3. Sunshine Baby 4. Baby goes again 5. You always get what you want 6. One for sorrow, two for Joni Jones<\/p>\n","protected":false},"excerpt":{"rendered":"
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